Larsen was remarkable in approaching the subject of race as a modernist

"Larsen was remarkable in approaching the subject of race as a modernist, rather than drawing on Southern tropes or vernacular to convey her characters’ blackness. Larsen followed “Quicksand” the next year with “Passing,” which tells the story of Irene Redfield and Clare Kendry, two mixed-race women who grew up together and reunite at a Chicago hotel after years of separation. Clare, Irene discovers, has been living as a white woman married to a racist who is none the wiser about his wife’s background. The relationship between the two women flirts with the sensual as each becomes obsessed with the other’s chosen path. In its review of “Passing,” The New York Times noted that “Larsen is quite adroit at tracing the involved processes of a mind that is divided against itself, that fights between the dictates of reason and desire."
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